|
Most ad people I know work hard. Very hard. Late nights and occasional weekends seem to be the rule rather than the exception. On the other hand, a few manage to get by doing the 9 to 5 -- mostly account guys. But if I had to pick the best gig in advertising, I'd have to say itıs creatives who get steady freelance work at the big agencies. A freelance writer at a huge agency recently told me how he'd been hired for three weeks to help on a business pitch. His day rate was a healthy four figures and when we spoke he'd been there a week and a half. "Hey Larry, How's it goin?' I asked. "Ehh, not great." he replied. "How come?." I countered. "I'm not doing anything." he replied. "Not doing anything?" I repeated. "Yeah," he replied. "I spent the first four days just waiting to be briefed.
"Changed their mind?' I asked. "I think they decided the account wasnt profitable enough to pitch. It
"$20 million!" I interrupted. "Yeah, and Ive been there over a week now and I havent done a damn "Wait a second," I repeated, "you're telling me you just made ten grand
"That's the deal we agreed on. They pay me for three weeks. It's Another woman told me a similar big agency story, however, she was on staff. Sort of. "So, whats it like over there? Workin long hours?" I asked. "Are you kidding?" said the woman who was making a solid six figure
"That's all?" I replied in disbelief. "Hey, thats more than most people work around here." she replied. Maybe the best story I heard was from a guy who told me he once had two jobs: "What's the big deal" I said. "I've had six." "No" he clarified, "I've had two at the same time." "Huh?" I replied in total disbelief. "Yeah. Really." he continued as he described how he once accepted a
Although I had my doubts about the story, this guy was just off-center enough to pull it off. 'Actually, I was considering a third." he added. İ2002 John Follis. All rights reserved. |