The material in this book comes from years of learning how to play over those major chords. All Bebop scales are based on the Major scale, but they each have an additional note inserted in a different location, giving a characteristic short chromatic run within the scale. Recently I did a post about the 3 Most Important Jazz Scales for Beginning Improvisers. It has the same notes as the Mixolydian scale including a chromatic passing tone, a major seventh, between the minor seventh ( b 7) and the root (1). I answer each of these questions in the video above. Here's is the PDF file with the exercises from this lesson. A few of the tools are: scales, chords, patterns, licks, songs (standards and originals), training the ear, listening to records of jazz greats and any other thing which they feel will contribute to the growth of a well-rounded musician. In this article, the purpose of which may be regarded as solely didactic, some simple strategies finalized to mastering the Be-Bop Melodic Minor scale are suggested. Ascend 3 notes up an arpeggio and descend the bebop scale. This article will investigate the four common bebop scales and how you can incorporate them into your guitar playing by creating bebop lines from them to use in improvisation. 8:00 Bebop Scales – Be Creative not Systematic 8:56 Add some variation and open up your playing with All the other things 9:10 Like the video? Phrase like a pro! How Do You Practice Major Bebop Scales? Bebop Scales Lesson Notation File Type: pdf Join PianoGroove Pro to access all downloads and learning resources. Let's Play! First of all, there isn't just one so-called Bebop Scale, but a large number of them-- in fact, what we call "BeBop Scales" is actually a concept, and not a particular scale. Skip intervals 1 – 5 and then descend the bebop scale , You will probably notice the close relationship between the Major Bebop Scale and the ordinary Major Scale. This bebop scale exercise or calisthenic is a great way to develop technique and get used to playing the bebop scale in 12 keys very naturally. What are bebop scales? Jazz Bebop Blues Guitar: Creative Concepts to Master the Language of Bebop Jazz-Blues Guitar ebook (PDF, TXT, KINDLE) + AUDIO VERSION Product Details AutorJoseph Alexander File Size: 40112 KB Print Length: 172 pages Introduction Bebop Scales are just your regular scales and modes – such as the Major, melodic minor, Dorian and Mixolydian – but with an added chromatic note. The chord/scale relationships of the bebop scales are self-explanatory. This book contains charts of the most commonly practiced scales and arpeggios in Western music education programs. Bebop Scales The bebop scales are mostly used in jazz. BEBOP SCALES: There are a few misconceptions about BeBop Scales, and I will try to clarify things a little bit. Here is a PDF of the 36 Important Scales (Major, Dorian, and […] Moreover, their application to jazz improvisation is herein Here is a Bebop etude I wrote out over the chord changes to Charlie Parker's "Donna Lee" (which is actually a contrafact of the jazz standard "Indiana"). In this lesson, you will learn the basics of bebop: chromatic notes, the bebop scales, bebop motifs and a solo over Scrapple from the Apple in the style 2. Using modes and major scales for playing over changes is great and you need to be able to do it, but bebop scales give us some extra flavour that can be used to embellish the fundamental scales. Dominant Seventh Bebop 3 ⁄ & #9 G7 C7 ⁄ & #10 G7 ⁄ G7 & #11 C7 ⁄ & #12 C7 ⁄ Ó‰œJœœ œœœœ œbœœœœœ œœœbœ˙ 79 8 7108 8 9 1110 79 8 10 9108 œœbœœnœœœœbœœ œœbœœnœœw 1210 11 10 12 12 8 8118 9 Down and up (in all keys) Dominant Bebop Scale Major Bebop Scale 3. Play through all the bebop dominant scales in all keys (added chromatic tone between 7th and root). Scales & arpeggios for trumpet, horn, trombone, & tuba. To summarize, the most important scales to learn first are the Major, Dorian, and Mixolydian scales because they help you navigate major 7th, minor 7th, and dominant (b7) chords, respectively. I downloaded your PDF book “Mastering the Dominant Bebop Scale” And I just wanted to tell you that the content is brilliant! Ascend 4, ascend 5 etc. Why are bebop scales? The bebop scales are frequently used in jazz improvisation and are derived from the modes of the major scale, the melodic minor scale, and the harmonic minor scale.According to Corey Christiansen, "David Baker, one of the world's finest jazz educators, named these scales the 'bebop scales' because they were used so often by jazz artists from the Bebop Era. Responder Macedo 2 julio, 2015 at 5:35 # Muchas gracias por responder, un abrazo, consultare los libros, gracias por compartir. Effective Bebop Scales: Download this First! I then give you 26 major bebop … Why use bebop scales? Bebop scales are very used in jazz music and a must know for any jazz student. Wes Montgomery is on fire as always, listen and take note! Item Number: JA.BEBOP ISBN 978-1-56224-037-0. Above is a terrific example of the dominant bebop scale (key of Bb) being played. Direction Gear (but does it really matter? These They’re in the names. Skip intervals, in-stead of 1, b3, 5, b7, try 1, 5, b3, 7, figure and audio example 9f. The remaining three scales (Major Bebop, Minor Bebop and Half-Diminished Bebop) are modes of those first three. When are bebop scales? Below we’ll show you 3 ways that you can apply bebop scales to different chords: The first alternative way you can use the bebop scale is on minor chords. The tonic of each scale is the same as the tonic of the corresponding chord. Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. The bebop scale is a dominant scale and has the same function in a key as the Mixolydian scale.Here is how the bebop scale is usually applied: On dominant chords: the bebop scale is used to play over dominant chords, such as the 5 in a 2-5-1 progression or the … The C bebop scale works over a C7 (or C9 or C13) chord The bebop scales are frequently used in jazz, and deservedly got their name from their extensive use in the Bebop era (1940s-60s) by such jazz musicians as Charlie Christian, Wes Montgomery, Charlie Parker and Dizzie Gillespie, to name a few. All the theory in the world won't make you play better, so let's just look at these four important guitar fingerings for By simply adding one chromatic note, you can convert the most commonly used scales into "Bebop" scales. Reharmonization or the practice of chord substitutions offers a straight forward explanation why modes of the first three scales can be used over the Major, Minor and Half-Diminished chords, effectively producing the second set of scales. Bebop Scales are just your regular scales and modes – such as the Major, melodic minor, Dorian and Mixolydian – but with an added chromatic note. 7) Blues Scales on I, VI, VII 8) Major Bebop Scale 9) Harmonic Major 10) Ionian/Augmented (Harmonic minor, 3rd Mode) 11) Augmented (Synthetic) 12) Lydian … Over a minor chord you can access this sound by playing a bebop scale or shape a 4th above the root, essentially implying a ii-V7 progression over a static minor chord: If you are just beginning to explore these sounds then you might want to make each chord longer that one bar. DOWNLOAD PDF Share Embed Description Download Bebop Scales (Bass Clef)- Joe Riposo Comments Report "Bebop Scales (Bass Clef)- Joe Riposo" Please fill this form, we will try to respond as soon as possible. Bebop is one of the most exciting jazz styles to play on the guitar. David Baker, “How To Play Bebop”, Vol.1 “The Bebop Scales”. The dominant bebop scale aka Mixolydian bebop scale is an eight note scale (octatonic). They are derived from other modes and contains an additional note what makes them octatonic scales, in other words, scales with eight notes. Bebop Dominant Scale Exercises 1. I explain the major bebop scale and how to use it so you sound great. A good exercise to work on this, and the previous two Bebop Scales, is to work up a iim7-V7-Imaj7 vamp in one or more keys. Octatonic ) the content is brilliant ) dominant bebop scale ( key of Bb ) being played Major …... 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