The scale that you need to use in a context not the diminished scale. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. Are you tired of using your same old blues improv ideas? In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. The Diminished Scale Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me.There are scales that I’ll never play and scales that I’ll probably never even hear. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. In these diminished scale diagrams, any of the white circles can be considered to be the root / tonic note of the scale. It is also a so-called symmetrical scale since the intervals are consistent. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. However, there are more definitions of the Blue note, I use the most common definition. So when we got to the fifth bar we have F7 to F sharp diminished. The Diminished Scale for Guitar. It is also a so-called symmetrical scale since the intervals are consistent. If you’re looking for a simple way to add a little jazz to your blues rhythm or lead, then you’ll love this lesson. Dominant Diminished Scales overview You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. If your into jazz this is one you need to learn. GuitarToneMaster.com. Play the blues scale over the following C7#9 vamp and step out by using the half/whole diminished scale. Well, there are really *two* types of diminished scales, whole-half diminished and half-whole diminished. E blues scale. B: B, C, D, D#, F, Gb, Ab, A, B, Intervals: 1, b2, #2, 3, #4, 5, 6, b7 C: C, Db, D#, E, F#, G, A, Bb, C Please click the button below to refresh this page to see the new sales! The sound of the Diminished triad is in itself very wacky to listen to. The sound of the Diminished triad is in itself very wacky to listen to. Also, as another poster noted, you can tease back and forth in between more standard blues licks and diminished ideas, because of the way the intervals overlap. The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. The Diminished scale is an important scale used in Jazz but can also be used in blues. Power Your Blues Soloing with Diminished Lines. In Fig. Please click the button below to refresh this page to see the new sales! Reactions: JonR. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. It is this ‘blues’ note that gives the scale its unique ‘bluesy’ tone. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# We’ll discuss each briefly. This scale is primarily used in jazz music and works well together with alternate seventh chords. Diminished Scale Theory. It is symmetrical, unlike the major scale, and this alone gives it a certain mystery. It could remind you of something you’ve heard bef… The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Just the blues scale could be a basis for a particular key (Blues). “Diminished licks in blues progressions are, seriously, one of the coolest things you can whip out when you are taking a blues solo,” Tyler says. The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. It is also a so-called symmetrical scale since the intervals are consistent. The 1st construction, using the major scale, starts at Lesson 3.. In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. When you consider its exotic sound, the mystery grows. This means there is harmonic movement occuring around these chords. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. The diminished scale also includes a b5, which is the blue … The 3 bars mentioned above are the most obvious choices for using the diminished scale in a I-IV-V blues. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory.. Now, the primary use of the diminished scale, is on dominant chords with possible extensions b9, #9, 13 and b5/#11. That could be a lesson all on its own! C#/Db: C#, D, E, F, G, G#, Bb, B, C# Fig. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). Robben was introduced to the sound of the diminished scale through working with Miles Davis, who's music uses the harmony quite a bit. This puts it right in my A minor pentatonic position at the fifth fret. G#/Ab: G#, A, B, C, D, Eb, F, Gb, G# Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Copyright © 2012-2020 pianoscales.org. If your into jazz this is one you need to learn. F: F, Gb, G#, A, B, C, D, Eb, F If you have trouble downloading the file after paying with PayPal please write Aimee (aimeenolte@yahoo.com) telling her which file you have paid for and the transaction code: she will send you the file as an attachment. We’ll discuss each briefly. Just the blues scale could be a basis for a particular key (Blues). Even more so if you take into account cultures that use quarter-tones. Check out next weeks Bass Practice Diary 30 if you want to look more at some of the diminished blues licks I’m playing here. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. Blues Diminished scale Common Something seems out of place. Messages 14,681. Even more so if you take into account cultures that use quarter-tones. Next step: to get the typical Blues sound, we add a special note: the “Blue note” (which is usually a diminished fifth, see basics). Properties E blues scale. I’ve transcribed a chorus of blues solo that I improvised in which I was using both the diminished sounds and the more traditional blues sound of the blues scale. The full diminished scale will use 9 notes. G: G, Ab, A#, B, C#, D, E, F, G The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. Take your ideas to the next level by adding a lick taken from the diminished scale to your playing. How to use a Diminished Scale and Chord in a 12 Bar Blues – EP170. Blues Scale. Purchase the worksheet of the video [PDF - 5.00 $] The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). E: E, F, G, G#, A#, B, C#, D, E If you'd like to donate to support Aimee without purchasing a PDF, click here. The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. The scale that you need to use in a context not the diminished scale. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale typically used over dominant 7th chords. Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. Improvise and compose solo's up to the entire neck with more than+300 Blues backing tracks. guitar scale: B Diminished scale Forget the guess work and use our helpful scale & mode recommendations for each Guitar Backing Track. The 1st construction, using the major scale, starts at Lesson 3.. 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