Draw it up on a piece of paper so you get an overview. Now your file(s) are ready to be downloaded.Be sure and check the email that you have associated with PayPal. Purchase the worksheet of the video [PDF - 5.00 $] The diminished scale has a few different names, including the octatonic scale and the half-whole scale, but they’re all the same scale. Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me. Each scale connotes something different. Tag Archives: diminished scale blues Minor Blues – 5 Important Sounds To Know and How to Use Them. Purchase the worksheet of the video [PDF - 5.00 $], Aimee Nolte performs in duos, trios, and big bands as a jazz pianist and singer. Be careful and always control by ear when you use diminished scale or whole tone scales because they … Check out his classic tune, "Techno" from his "Still Warm" CD. This is largely because dominant 7th chords are chords of transition. The blues scale differs from the pentatonic minor scale only by the addition of a single note: the diminished 5th (also known as the ‘flattened 5th’, ‘flat five’ or ‘blues note’). Draw it up on a piece of paper so you get an overview. Copyright © 2012-2020 pianoscales.org. But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. Diminished Scale Theory. It can also be used for fusion and heavy metal. You will be brought to Paypal. After the payment click the button on Paypal that will bring you back to the seller's site (don't press the back-button on the browser). Robben was introduced to the sound of the diminished scale through working with Miles Davis, who's music uses the harmony quite a bit. T he diminished scale is a symmetrical scale that is built by alternating whole steps and half steps. The Diminished scale is an important scale used in Jazz but can also be used in blues. Watch the Level 3: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues As a guitar player, we can't discuss the diminished scale and the blues without talking about Robben Ford. Dim7 chords are not as commonly used as minor, dominant or major chords, but when they do pop up, they have a … E: E, F, G, G#, A#, B, C#, D, E It can also be used for fusion and heavy metal. Diminished scales naturally fit very well when played over diminished chords with the same note name (e.g. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. D#/Eb: D#, E, F#, G, A, Bb, C, Db, D# Another player to consistently use diminished patterns in … It is also a so-called symmetrical scale since the intervals are consistent. Along with the wide intervals in the Diminished triad these notes will give you a very special sound. The usual six note Blues scale is a minor pentatonic scale with the addition of the diminished 5th (right in the middle of the pentatonic scale). This course is near and dear to my heart, as the diminish scale looms large in my playing. When you consider its exotic sound, the mystery grows. Even more so if you take into account cultures that use quarter-tones. This is difficult to remember. or download example audio. The full diminished scale will use 9 notes. Using enharmonic spellings the diminished scale will have a dim 5th and an aug 5th and is much easier to work with. Diminished scales are used in the construction of flat nine (also known as sharp nine) chords, but may also be used in conjunction with most dominant 7th chords. There are scales that I’ll never play and scales that I’ll probably never even hear. It is also a so-called symmetrical scale since the intervals are consistent. The diminished scale pattern is a whole – half step repeating pattern. So when we got to the fifth bar we have F7 to F sharp diminished. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. A#/Bb: A#, B, C#, D, E, F, G, Bb, A# Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? Diminished Scales Blues Exercise Are you tired of using your same old blues improv ideas? Hello Steve, That's a question that I unfortunately never got the chance to cover here, on the website... Now's the time! Reactions: JonR. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. It is also a so-called symmetrical scale since the intervals are consistent. G#/Ab: G#, A, B, C, D, Eb, F, Gb, G# Diminished Scales. This is unique to each person. In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). The Diminished Scale is built upon two diminished seventh chords. Try playing an E-blues scale and see how the E-diminished triad fits over that scale. When you hear a certain scale, you probably associate it with something. Jeff McErlain’s Diminished Blues edition of Take 5 kicks off with a revealing primer on the diminished scale and a versatile collection of guitar-friendly diminished fingerings, both of which will demystify the elusive scale and put it to work immediately in your own blues solos and improvisations. Most jazz standard progressions, where we find the diminished chords, are tonal. Next step: to get the typical Blues sound, we add a special note: the “Blue note” (which is usually a diminished fifth, see basics). Purchase the worksheet of the video [PDF - 5.00 $] Master the three variations of the diminished scale (C, C#, D) Explore scale pattern exercises (use Herbie’s lines as a starting point) Apply this scale to V7 sounds in your solos; V. Kenny Kirkland and the diminished sound. Its one of these scales that just sound like jazz. I’ve transcribed a chorus of blues solo that I improvised in which I was using both the diminished sounds and the more traditional blues sound of the blues scale. C: C, Db, D#, E, F#, G, A, Bb, C Description. Most jazz standard progressions, where we find the diminished chords, are tonal. The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). Be careful and always control by ear when you use diminished scale or whole tone scales because they … The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. GuitarToneMaster.com. The diminished scale is a symmetric scale formed by the sequence: Tone – Semitone – Tone – Semitone – Tone – Semitone – Tone.. John Scofield is a master of this technique. Thanks. If you have trouble downloading the file after paying with PayPal please write Aimee (aimeenolte@yahoo.com) telling her which file you have paid for and the transaction code: she will send you the file as an attachment. It is also worth mentioning that, while we are primarily discussing dominant chords in this article, there is also a diminished scale that can work over a diminished chord. Power Your Blues Soloing with Diminished Lines. So when we got to the fifth bar we have F7 to F sharp diminished. JonR Member. You will be sent to a page containing the download links. The Solution below shows the E blues scale, on the piano, treble clef and bass clef.. The half-step intervals are then Minor: 3-2-2-3-2; Blues: 3-2-1-1-3-2; You can play this scale on a keyboard … Its one of these scales that just sound like jazz. The 1st construction, using the major scale, starts at Lesson 3.. More commonly used by jazz players, the half-whole diminished scale and diminished 7th arpeggio are right at home in a blues setting, and we’ll be discussing ways to use them over a 12-bar blues. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. You can use them above all on dominant seventh chords to enrich or vary the colors of improvisation. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. In the same way that we observed for the diminished chord, the diminished scale is repeated every three semitones.This is very advantageous, as it opens up a very wide range of possibilities. Teaching section, Up Till Now - 2005 Just Us - 2010 Looking For The Answers - 2019Lighten Up - 2020, Get The Worksheets From Aimee's Youtube Videos. The Dominant Diminished Scale is also referred to as the Diminished Blues and it shares many notes with the Pentatonic Blues scales. Please click the button below to refresh this page to see the new sales! a G diminished scale can be played over a G diminished chord). Improvise and compose solo's up to the entire neck with more than+300 Blues backing tracks. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Since the key of E appears on the Circle of fifths diagram as both a major and minor key, the Lesson steps explain both ways of constructing this blues scale for this key:. Then practice moving in an out of the blues scale from blues to the dimished triad (The arpeggio). The diminished scale can be created by stacking two diminished 7th chords a half-step apart on top of one another: Notice that the scale has eight unique notes, thus the name octatonic (which literally means eight tones). The link for the downloads will be sent to your mail too.You still cannot download the files? Just the blues scale could be a basis for a particular key (Blues). Write me or Aimee. E blues scale. The scale that you need to use in a context not the diminished scale. Diminished Scales. In Fig. The Diminished Scale is often misunderstood. The Diminished Scale Mathematically, there must be a finite number of scales, but scales seem pretty infinite to me.There are scales that I’ll never play and scales that I’ll probably never even hear. Fig. See also the Diminished Scale. Practice this run on the top two strings first, then move it down in the two octaves. This puts it right in my A minor pentatonic position at the fifth fret. Since there is a VI7b9 chord in bar 8 of a jazz blues (D7b9 in the key of F), you can use the D7b9 dominant diminished scale to outline this chord in … E ♭ diminished (F ♯ /G ♭, A, C diminished): E ♭, F, F ♯, G ♯, A, B, C, D, E ♭ D diminished (F, A ♭, B diminished): D, E, F, G, G ♯, A ♯, B, C ♯, D; D ♭ diminished (E, G, B ♭ diminished): C ♯, D ♯, E, F ♯, G, A, B ♭, C, C ♯ It may also be represented as 013467910 or labeled as set class 8-28 (Schuijer 2008, 109). Dominant Diminished Scales overview F: F, Gb, G#, A, B, C, D, Eb, F Live performances, Please join my YouTube channel Aimee Nolte Music with hundreds of videos! E blues scale. or download example audio. The Diminished Scale for Guitar. Diminished scales can be used over diminished chords if you start with a whole step (the whole-half diminished scale) instead of with a half-step. The Blues scale: Blue notes. 5 uses the half/whole scale to create a lick over the #IV diminished 7th chord. Watch the Take 5: Diminished Blues online guitar lesson by Jeff McErlain from Take 5: Diminished Blues Hi, I'm Jeff McErlain and welcome to Take 5: Diminished Blues. The Diminished Scale is built upon two diminished seventh chords. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. Also, as another poster noted, you can tease back and forth in between more standard blues licks and diminished ideas, because of the way the intervals overlap. This scale is primarily used in jazz music and works well together with alternate seventh chords. D: D, Eb, F, F#, G#, A, B, C, D The Diminished scale is an important scale used in Jazz but can also be used in blues. In this video I am going to show you some longer melodic ideas or licks with arpeggios and using different minor sounds on a Cm blues. The half tone, whole tone formula is consistent throughout the scale, for which reason it is sometimes called the Half-tone/Whole-tone Scale. Play the blues scale over the following C7#9 vamp and step out by using the half/whole diminished scale. G: G, Ab, A#, B, C#, D, E, F, G This means there is harmonic movement occuring around these chords. If your into jazz this is one you need to learn. Dominant Diminished Blues Lick. First off, let me start by saying that the Whole-Half and Half-Whole are not different entities, they only reflect the way you choose to see it, in theory.. Now, the primary use of the diminished scale, is on dominant chords with possible extensions b9, #9, 13 and b5/#11. You can also apply this dominant diminished scale pattern when soloing over a jazz blues chord progression. This means there is harmonic movement occuring around these chords. Sometimes you just have to wait few minutes to download the file. Properties We’ll discuss each briefly. Notice that we keep the upper note, the sixth, constant and just move the bottom note up. However, there are more definitions of the Blue note, I use the most common definition. The half-whole diminished scale is sometimes referred to as the “auxiliary diminished scale” (again, note the inherent contradiction because some people use the same term for the opposite scale!) Please click the button below to refresh this page to see the new sales! In the C Diminished Scale this would be C - Eb - Gb - A (Cdim7) and D - F - Ab - B (Ddim7). This scale is used to solo over diminished seventh chords. Primarily because the diminished scale is a symetrical and synthetic construction and not really what fits any type of tonal song. The 1st construction, using the major scale, starts at Lesson 3.. The we’ve got F sharp diminished (scale) which is the same as C diminished and then we go back to our standard blues sequence. Of course you can play the diminished (half-whole) over every dominant-seventh chord, but if you do this in a simple blues progression, you will stop sounding bluesy. We’ll discuss each briefly. If your into jazz this is one you need to learn. So, instead of starting this scale out of my A blues position I’m going to move it down two set’s of minor thirds, or six frets to A half whole. Semi-notes: 1 - 2 - 1 - 2 - 1 - 2 - 1 - 2 That b3/#9 going to a major 3rd sound is already part of blues vocabulary. Diminished Scale Guitar Diagram 2. 1 , the first measure is the A Mixolydian mode (1–2–3–4–5–6–b7), the scale … But when you apply it to the blues scale you come to emphasize the blue note Bb in the E-blues scale – and the devious 6th which in the case of E-blues is the note Db. Dominant Diminished Scales (Diminished Blues) The Dominant Diminished Scale consists of eight notes, and therefore belongs to the category of octatonic scales. 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